ship to shore is a new record label from record collector and gentleman of the night craig richards. the first release is by pbr streetgang made specifically with craig in mind, the release also includes a remix by craig himself. pbr streetgang delivery a great ep of wayward hedonistic-house. �in the turret� has been causing somewhat of a commotion, of late, on discerning dance-floors. on the flip craig offers up a drawn out electro break-beat take on �in the turret�, which is equally as beguiling. the ep also features the deep disco leanings of �affordable excellence� and the psychedelic �apocalypse tool�.

2xlp black vinyl edition. electro, breaks & scifi-disco! dagoberts intergalaktischer vierter longplayer auf dominance electricity dokumentiert den Übergang seines bisher electro-breakbeat-dominierten stils hin zu den verstärkt genre-mischenden electro-variationen seines neuen projekts masterarp. produziert seit seiner letzter veröffentlichung im jahr 2011, ziehen die für dieses album sorgfältig selektierten werke den zuhörer in dagobert s kosmos aus melodischer und rhythmischer verspieltheit irgendwo zwischen electro, breaks, space-disco und sci-fi filmmusik.

zeit echo are a german/swedish electro-pop/minimal-electronic duo formed by thomas karlsson & matthias schuster. all electronics, synthesizers & drum machines are by thomas karlsson at studio zeitklang. vocals on �secretary� by lidia fiala.
all the cuts and edits are made by the genius of mick wills.
mastered by helmut herler at dubplates & mastering.
vinyl only - 200 copies pressing - no repress - numbered.
supported by: mick wills, william bennet aka cut hands, clouds, ancient methods, drvg culture

premium coloured vinyl edition incl poster ... electro, breaks & scifi-disco! dagoberts intergalaktischer vierter longplayer auf dominance electricity dokumentiert den Übergang seines bisher electro-breakbeat-dominierten stils hin zu den verstärkt genre-mischenden electro-variationen seines neuen projekts masterarp. produziert seit seiner letzter veröffentlichung im jahr 2011, ziehen die für dieses album sorgfältig selektierten werke den zuhörer in dagobert s kosmos aus melodischer und rhythmischer verspieltheit irgendwo zwischen electro, breaks, space-disco und sci-fi filmmusik.

the excellent field label embarks on a new mini trilogy of eps that will -present a magical journey through modern-day trance.- first up in the series is artefakt with their three track effort the final theory. dutch producers robin koek and nick lapien make up artefakt, and between them they excel at moody voodoo music on labels like delsin. they open this latest ep with the title track, a deep, spacious house roller with subtle pads and gentle acid that perform slow motion acrobatics for nearly ten minutes. it is suspensory, dreamy music that works on the head as well as the heel. moving horizon is then less doleful and introspective but just as deep, with sweeping pads add a sense of scale, busy drums bring the dynamism and icy percussive sounds adding a sense of urgency. last but not least, solaris is a fatter, more physical groove with claps and gloopy bass, acid flashes and trancey pads all fleshing out a lush and deep electro workout. this is heavenly stuff that cannot fail to get inside your head and heart.

a side goes techno izif style... after a good banging techno intro... comes a big break efficient and dancefloor... the track turns electro techno progressive:) b side goes more original space sound... deep acid and mental techno ! enjoy !

hunting down the coolest sounds around the globe, the wewantsounds crew have curated another special mix for your lazy sundays. dishing out a tasteful mix of new tracks from under the radar, this selection features a string of sunny pop, indie grooves, chilled electro and relaxed disco, the whole seasoned with a couple of leftfield cult classics and classy jazz tracks for good measure. sunday mixtape is the perfect sonic brew that will bring you back to life after a long night or hard partying.
the double vinyl release includes a download code.

benoit b returns to banlieue for the imprints third 12�! scatter gun arpeggios ride on top of bolstered machine rhythms. sitting somewhere between techno and experimental electro this ep is benoit b�s most accomplished material to date.

nice price deal !!! jack of all trades musician jay shah b from normandy started his career as bassist in rock bands during the 90s. his rock culture was spiced up by hip hop and breakbeat at the beginning of the new millennium. as a fine producer he started to record bands and spent his time torturing sound, sampling stuff and scratching vinyl records. after a lot of time in the studio, in 2006 he released a abstract hip hop album recorded with his mate goliath, and then made a deal with kif records (birdy nam nam, jazz liberatorz, pepe bradock) under the name buzz burglarz. after two years in brussels, he is now back in paris with a pure electro ep >discopunk is dead<. meanwhile he is setting dance floors on fire all around the world with ecstatic solo dj sets, that could well make juan mclean, sebastian and others go green�

leyden jars curdled sound palette is the product of shredding time-lapse ones, twos & in some cases threes out of a hackney penthouse basement...ground flaw...a wall of havana circuitry as a foil to voltage-controlled oyster cards...half-glass isle, half-unknown quantity...the sound of untended vessels spewing o�er in coils of electro-acoustic froth...ibm

killekill megahits ii is a jubilee release. but it�s not only that. it�s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release � looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 1 features some of the future key artists and crosses over from electro to acid and back.

* we come to rock* is a cover version of a classic electro track.
* buck stoppin * samples another old electro tune & hot wires it for dancers & djs.
this is the first new stuff since last years album with more to come very soon.

girl is the first release from danish electronic duo cirkular. the group consists of brothers jacob and morten bogh, both veterans of the danish electronic music scene. -girl- is an eclectic release, spanning the melancholic dubsteppy electronica of the title track, house music, electro, uk garage and tech house with remixes from electronic legend rumpistol as well as strung fellows and discoshaman, both known to fill dancefloors across europe.

dj oil is an old friend, musical activist from the wrongly dreaded city of marseille. some of you may remember troublemakers and lionel records for bbe.rain features saul williams in a troubled stomp. voodoo house if you want to call it something.its turned into a electro monster by radioactive man.cold europe under the sun or a frozen southern island. who knows? we got lost on the way.space opera and hypnosis push the boundary of psychedelia.slow burners but potent mushrooms.warped politics

copenhagen purveyor of melodic electro soul kondi records finally resurfaces after almost a decade with a new batch of tracks from man of the moment, jeremiah r. sleek nighttime electro in a deep but spacious melancholic vein of the other people place and drexciya s mellow aquatic dives. includes an extended version of the outer rings , which appeared back in 2011 on the ultra limited the 5th dimension album.

firm favourite dmx krew returns to shipwrec for his third release. a spiral of styles come together for mini-owner. funk. electro. synth. all are twirled, whirled in a shimmering sound. cold chords meet warm fronts, meandering grooves and playful interlock to produce a sound that is totally unique. energy levels are high throughout, sun soaked synthlines dappled by glowing rhythm patterns as ed dmx delivers six tracks of grin-inducing electronics. first run pressed on 200 coloured copies.

lost spaceship lok44 returns to its home planet, and it has been mightily upgraded with alien bass technology since dropping ghetto of the mind and derailed on trust over 10 years ago. bous is a vigorous comeback, touching on lean and mean electro funk, broken house, and hypnotic outer-orbit bleeps across its four tracks. lucky owners of bous s two highly sought-after precursors will recognise common stylistic threads spanning the decades, but just as before, lok44 prefers to veer off on tangents, sketchily exploring unknown bass music quadrants. second release in the covert systems series, limited quantity.

with releases on frustrated funk, shipwrec and many more discerning imprints - seattle-based electro artist 214 (two fourteen) aka chris roman has made a welcome, if not inevitable debut on cpu - with 4 tracks of icy beats, bass and bleeps, fans of erp and plant43 will relate.

nice price deal !!! rocknroll electro techno feeling on the a-side...while b-side makes it rave dubstep.

spooky electro ep

dystopix comes 3 years after the last neud photo record and the wait was well worth it. things have gotten darker with this release. elegant craftsmanship, subtle but effective vocals whisper throughout, and as always, it s cybotron influence is clear. the tracks flow with an eery cohesiveness, making it neud photo s most well told story to date. the hard part is figuring out whether the story is fiction or (soon to be) reality. these 6 electro hits can easily be enjoyed either chapter by chapter (songs for the mix or dancefloor), or as a whole (for bedroom listening). mastered by rude 66 first 60 copies include a handstamped photo insert. super limited us imports

hailing from mexico, zombies in miami have caught the ears of the electro disco faithful with outings for correspondent and love on the rocks. the twosome are debuting on bordello a parigi with a pair of late night burners. turquoise is a sliding snaking piece of synthesizer sorcery. crisp beats are draped in hazy harmonies, reverb soaked bars rising amongst soaring keys and echoed vocals for a work of true elation. hipodromo follows, and starts as it means to go out. drums crash before a floor melting synthline is dropped. the swirl of the mirrorball takes over as this duo whisk you into the warm and melting sounds of strings, rich bass and climbing claps.

honoring the roots and wires of detroits 909 and 303 sounds, flavio folco blends elements of hip-hop, electro, breakbeat techno, futuristic soul and funk music committed to the edge of post-acid house styles. an audio injection into the body-mind as we wave through the polyrhythmic ensemble of molecular beats and crisscrossed percussive patterns. on remix duty deadbeat who needs no introduction, and indigo raw �s mirus.

jeremiah r has been responsible for some of the finest electro to be released over the past few years, with his mini albums for tabernacle records being particularly potent. here he launches the distant wave label with eight more chunks of atmospheric, far-sighted futurism. as usual, he flits between ambient style interludes and more expansive dancefloor fare. in the latter category you ll find the motor city techno futurism of -bermuda triangle-, the glistening idm loveliness of -streaming to arcadia-, the larry heard-in-space deepness of -cruiser-, and the drexciyan throb of -jar (jamming avoidance response)-. all are, naturally, both luscious and pleasingly melodious, whilst retaining an intergalactic sense of atmosphere.

lovers rock recordings celebrates its tenth release with another lush compilation featuring tracks by three core members of the lr family and newcomer gunnar haslam. opener �vacation� by ital sees the label boss crafting a supple dj weapon out of a lysergic sonic ecosystem. the rapidly-maturing dj wey returns to the fold under his dj python alias with �amazonia,� an ambient bomb that allows a deceptively simple hook to lilt across a thumping reggaeton rhythm. gunnar haslam makes his lr debut with �vector no campo,� blending modular acid and perfectly crunched electro drums. finally sleeper cell close out with the shimmering, haunting �v.� the first lr release of 2016, lr no.10 exemplifies the label�s ethos and sound while pointing to the future, with eps by ital & halal, yoshinori hayashi and others slated for later in the year.

bakk lodges sfv acid with a double deal - a 12 inch (doep) with deep n dark electro vibes and a 10 inch (jazzchamber) for the smooth and elastic funk. both come with the unusual sfv acid touch. it comes in two screen printed inner sleeves packed in a plastic sleeve with a chrome sticker - conceived by the bakk cartoon cartel.

lush and adventurous melodic electro/techno tunes in his wellknown style by carl finlow! combining robotic melodies and smooth rolling drum machines in a kraftwerk meets the other peoples place meets underground resistance kinda way. 3 new tracks and a reissue of the lovely anomaly , originally released on device in 2003 as part of carl s electrilogy + album. the first artists release on the craigie knowes label after their sweet war child fundraiser compilation album.

not so many things to say about this five all killer, no filler trax - except that this antonio ep is the perfect business card for the pescara guy in order to confirm himself as one of the most talented young-bloodied, rawness manufacturer around right now. from 130 bpm ghetto acid madness to a surf-house summer anthem such as -untitled- and the electro standout track -clara-. fasten your seat-belts and enjoy this ride provided by unintelligent trax outsourcing, milan.

bopsides first release for 2016 comes from label owner tadd mullinix, releasing under his birth name for the first time since 2002s panes on ghostly international. this album is comprised of 3 long form experimental electro-acoustic compositions, 2 of which clock in around the 15 minute mark, and another clocking in around 9 minutes, taking you fully into the imagination of an artist who is constantly experimenting and redefining the sonic landscape. recorded on a variety of equipment and instruments, these 3 recordings capture a human side and sense of playfulness, while at the same time taking you into the heart of darkness.

vox low come in hard, slow and dark on a new 3 tracker for correspondant. the pyschedlic parisian duo display various iterations of left field menace, ranging from glam rock on �the hunt�, electro disco on �some words of faith, and pitched down acid on �i am a strange machine sometimes�, but all with the signature analogue pulse which correspondant is famed for presenting

daniele baldelli producer now has nothing to envy to the daniele baldelli dj. this is demonstrated by the authoritativeness of the first two 12inch of six of the series cosmic temple on mondo groove label. what strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logo cosmic. but immediately then the music takes the stage, 3 tracks in chapter 1 and 3 tracks in -chapter 2-, able to tell the true mood of the imaginary baldellis sound and take them to a land of wonders. chapter 4: an ingredient that can not miss in baldelli cosmic project is afro-beat: joka joka, sung by congolese bale mondonga. vhanessa is a magical flight in search of distant galaxies, a tribal electro joints game a kind of rubik s cube. the kraftwerk-ian archetipo leaves us waiting for the arrival of the chapter 5 and 6 to complete this cosmic temple, to listen to and to watch the puzzle of 6 covers

greg beato is back on l.i.e.s. and back in top form with this massive 5 tracker. beato demonstrates his versatility as a producer throughout as we seem him move from melodic house, to electro, to tweaker dj rush style psycho beat tracks on this ep. every song here has its own unique flavor with beato s trademark style undeniably present. needless to say this ranks up there with some of his best work to date and is sure to make a lasting impression on all listeners.

the original move your butty (1992) gained cult status and the time seems right for a re-release of this gem. it was originally out on the legendary london based irdial records. thee j johanz decided to replace samples with synths, which gave him the freedom to create a totally fresh and moody remix, good enough to keep our buttys moving for the next 20 years. the strings of the elka synthex give you wings, while the typical move your butty bassline is pumpin you up. expect the unexpected from prins thomas remix: very refreshing funky eighties electro vibes, or is it the sound of the future? an original approach with an oasis of move your butty references in the middle. an excellent remix of the remix

la femme reveals hallucinatory video for brand new futuristic-psycho single *sphynk* released on disque pointu. sphynx is neither a japanese influenced fairytale happening in egypt in 3087 before j.c, nor a chemical introspection questioned by sphynx. sphynx may not be what sphynx is meant to be, but sphynx is sphynx. sphynx is big, sphynx is deep. sphynx does not exist but sphynx is always there la femme la femme is back with a spectacular electro-pyscho new single and an accompanying hallucinatory video, taken from their forthcoming second album to be released in september. the french band follow up to 2013s award winning and chart topping debut *psycho tropical berlin*

bodytonic music present the fear inducing yet exquisite mouth to mouth ep by cult dublin band ocho. distorted bass, grinding rhythm and icy atmospherics give ep opener vines a dramatic, dark and icy celtic beauty, all set to the spectral voice of lead singer stace gill. completed by producer /writer dos and a plethora of talented guest musicians, the band s ambient sound is influenced by an eclectic mix of music from around the world. ocho released their hauntingly beautiful debut young hunting in 2012 and mouth to mouth marks a mesmerising return for the intriguing duo and their unique brand of ice-cold, soulful electro, getting support from the likes of severino, anthony naples, fish go deep & more

keith tenniswood returns in 2016 with dub vault vol. 2, the second emission of dubwise productions under his radioactive man moniker, originally recorded a decade ago while based in scrutton street studios. a long time fan of roots, reggae and dub here he fully indulges in the genre whose keystone bass weighted sounds have informed the electro-focused designs he is predominantly known for. explosion begins the ep recorded utilising new toy at the time, a korg esx1 sampler and sequencer, resulting in simple but crashing dancehall beats with a diliinja style bassline that is pure roughage. second track razor sees tenniswood also take up the guitar as well as beat programming in this track named after the * stepping razor* peter tosh and a nod to his music hero adrian sherwood and on u sound vibes. blazer rounds off the ep, a collab with long term dub head and band member with keith from bargecharge (check fuel records early releases late 90s) james foster. tape echo and distorted bass make up the thick sound of this trac

visonia returns to electronic emergencies with the powerful amethyst eclipse ep. evolving naturally from last year s nausicaa, our beloved chilean moves into darker techno territory without losing his distinctive melancholy while experimenting on the crossroads of ambient and electro. once again, the resulting electronic storm will blow you from your inner space to the dance floor and back. artwork was created especially for visonia by silas.nl, also known as fellow ee star machinegewehr.

with a fleshy mix of acid and electro cuts from sync 24, privacy, luke eargoggle, etcher and -=uhu=-, berlins longstanding machine-driven music collective, mechatronica, forcefully unites the classic and new sound on their first record release. a first-ever collaboration between established electro commanders luke eargoggle and sync 24 opens the record in toxic floor buming fashion, followed by a cold and tightly programmed electro journey by -=uhu=-, blending the mechanic and the monotone in a comment on todays relationship between machine and man. building on strong previous releases with lobster theremin and klasse wrecks, privacy kicks off the flip, taking the tempo down with a booming, melodic electro cut, followed by a funky acid workout by etcher featuring his signature bubbly basslines and soothing synths.

hot off a couple of 12� from topher horn, rocksteady disco follows up with its first compilation featuring a heap of heavily sampled originals from more well-known editors. pontchartrain leads the release off with a summer-inspired aural prozac number, just in time for this june release. next up is notorious detroit editor lafleur, busting out this original milky-smooth detroit boogie house production. a slight little rearrangement from rocksteady disco label boss peter croce makes this one a bit smoother for the djs. lyon, france�s g2s kicks off the flip with a big-bottomed stomper reminiscent of some mcde �raw cuts�. pontchartrain book-ends this release with a track that puts the �rocksteady� in rocksteady disco, with heavy analog-meets-electro drum programming and complete with pontchartrain on vocoder duties. hand numbered edition of 500 copies with dl code.

black country overlord justin k broadrick (jesu, godflesh) blesses regis� downwards fiefdom with two tracks and a tightly sprung rework by surgeon. downwards have really picked the foulest iterations of a grim set for vinyl release, inscribing the industrial-strength torque of nothing is free - which sounds like early kode 9 battered by shapednoise - at 45rpm across the front face, and branding the knuckling 808 snares and distended electro bass blow out of kontorted on its backside. surgeon�s remix of the title tune ranks among his best in many years. trace elements of the original are extruded thru modular kit and remodelled on a bouncing, swerving techno chassis recalling bmb and cub classics, but streaked with sirens and vamped by a marching brass refrain that�s just spoiling for war. the release marks a long overdue overlap between downwards� and broadrick�s interrelated industrial, noise and techno circles. broadrick was the original drummer for napalm death on their scum (1987) album, before forming the legendary godflesh, and carving out an oeuvre as one of the most feared and respected musicians to emerge from birmingham and the uk ever since.

neon finger rises. the new go! finger vinyl imprint, focused on synth-funk, boogie, hip hop, electro-funk and other freaky rythms, debuts with the new album by dj overdose -techno hop-. where the prolific artist from the haghe exhibits eight new outstanding tracks filled with classy electro-funk and the freshest hip hop manners. a sublime, intense and astonising piece of music, remarkable as an example of the finest electronic nowadays. rad!

superb 5 tracks from electro / acid to industrial

mind twisting electro-afro-deepness three tracker from the depth of the tolga fidan galaxy. tfr is born, tolgas own imprint, a new chapter to showcase his versatility and vast musical influences

2016 is shaping to be a fantastic year for rebirth records, the 10th year anniversary and the 100th release�to celebrate this special date the label owner shield and his right arm robytek get in the studio to collaborate with two of the most innovative figures of the end of 70s / early 80s. the a side is the the pyramids with isabelle antena, french singer and songwriter, founding member of electro-samba pioneers antena. in the 1990s she also led another group, the powaga sisters, for three albums between until 2004. alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. from camino del sol (1982) to bossa super nova (2010), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide. the pyramids is something really special, a cosmic and balearic song with a timeless meaning, with the collaboration of martin ditcham (sade s percussionist) for the drum and paolo mantini, a real italian talent, for the bass and chords. the aa side is now, a collaboration with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of (for the legendary early 80 s nyc band liquid liquid) seminal nyc minimalist-funk band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound which they called big beat, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics. the group s successes included club hits such as cavern (sampled by grandmaster flash in the making of white lines), bellhead and optimo in addition to sold-out concerts worldwide. sal p and dennis still explore today new ways of writing & performing music. now is the experimental way to combine the live drums played by snacks (the berlin based duo rene corbett & aljoscha babel), with the electronic world and the unique musical textures from sal p and dennis young.

1998 electro classic by i-f, featuring the voice of helga la blaque. timeless music! back in 2016

london based punk duo black volume are not easy to classify. their delirious industrial post punk sounds at times like proto house and at times becomes some sort of mutant electro. their b series sound is made of a conglomerate of filthy percussions, unexpected samples and something with the appearance of melody, with a weirdly addictive result. black rubber is james brown wearing black leather at 40ºc (in the shade) while suffering a mental breakdown. excentric melodies sliding down rhythmic dislexia. negative return blooms from an improvised beat with no traceable sequence, on top of which we find rubbery synth lines, creamy interferences and mysterious sampling, everything sounds like melting from old vhs footage with the future we enter a romantic dystopia. sensual and passionate but equally crunchy, it rises up through cheap calculator arpeggios, pitched vocals and obsessive bass lines. streetfight evoques a desolate landscape, devastated and radioactive. distant echoes from an extinguished human race that left behind only majestic rusty ruins.

already three years after his third album, vitalic is back on jennifer cardini�s records label correspondant records with two original new tracks. often unclassifiable, but always efficient, vitalic shouts out and restyles his universe under many different ways. after having mixed electro music to rock, to disco and then to pop in the course of his three albums, « film noir » ep invites us to a spatial journey. unusual, unknow, fascinating, powerfull and sometimes dark , this project defines itself as a cold disco. his own and recognizable esthetic shows here two of his multiple faces : �film noir� will remind absorbing universe of german sound of 90�s : a techno and slow kick, a spatial slicks and a worrying mental melody. �ooey�, a sort of hallucinated electro pop joined by some chorists, without forgetting lady disco despite of its new wave bass.

electro kicks, raw textures, ominous choirs: l immaginario, previstos opening track, ties a bound between martellis two releases on antinote, giving us one last glimpse at the uninhabited post-apocalyptic landscapes drawn in menti singole. however, this time leonardo martelli explores a more urban universe, as the use of rap samples on negli abissi and lo schema suggests. martelli exploits their aggressiveness in a way that somehow reminds us of minimalist rap tapes from memphis. the third tracks title makes it even clearer: called leggende metropolitane, the song is a trip into the darkest blind alleys of the city, an invitation to wander among human wastes, driven by its light kick.

following his acclaimed north bend album of 2015, chris roman, known as 214, is back on shipwrec with the third in their series of single sided odysseys. a haze of bass descends for -i see what you did there-, a clipped drizzle of percussion falls before thick acid bars tremble into position. echoes, reverb and decay merge, groan and bend as the preconceptions of ambient, electro and techno are pulled apart. in one breath dense and complex, the next grooving and future funk dipped. an epic example of 214 s talent. single sided 12- with a silkscreen printed b side. limited to 250 copies on transparant vinyl.